“Bride Flight”: South Seas film for grownups

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Movie Review: "Bride Flight"

Written by Marieke van der Pol

Directed by Ben Sombogaart

130 minutes, 2008, Rated R

Ben Sombogaart's "Bride Flight" is a highly recommended adult movie. I don't mean porn, although it does have some eroticism and one glorious nude scene. I simply mean that this foreign film has mature subject matter and is for grownups. It also has a complex form requiring a sustained attention span: It's definitely not for mall rats intent on mindless action and escapism.

As its name implies, "Bride Flight" is indeed about wives-to-be who fly on the so-called "Last Great Air Race" from Europe to New Zealand back in 1953, when these globe straddling jaunts were very big adventures. The passengers aboard the KLM carrier that participated in - and won - this real-life aerial contest including 40 Dutch emigrants, mostly women seeking to escape the hardships of post-war Holland by starting new lives in Christchurch, where their Dutch fiancés awaited them. A pretty offbeat premise, as far as plots go.

The film focuses on three women and a man on this flight that, back in the 1950s, took days to make. Frank touches the lives of the trio, and although the émigrés' experiences become intertwined in their adopted country, they go on to lead very separate lives, while remaining intimately bound. The film effortlessly shifts from past to present, so the romantic saga goes back and forth from the young to the aged immigrants, bending standard notions of time and continuity.

"Bride" therefore has two actors playing each major character - 20-somethings for the new Dutch arrivals, seniors for the present-day transplants. American audiences will be most familiar with the rugged Dutch action hero Rutger Hauer ("Blade Runner," "Batman Begins," "Hobo With a Shotgun"), who portrays Frank. Waldemar Torenstra plays the young Frank. Ada has married a religious zealot and is portrayed by nubile Karina Smulders, whose, uh, smoldering sex scene with Frank lights up the screen. Pleuni Touw depicts the older Ada.

As young Marjorie, Elise Schaap's character makes the best marriage of the trio, although life tosses her a curveball, causing her to become obsessive and possessive. Petra Laseur plays petulant Marjorie as an older and perhaps wiser lady; U.S. audiences may remember her in "Antonia's Line," the 1995 Oscar-winner for Best Foreign Language Film.

Probably the most interesting character is Esther (Anna Drijver), a Jew who, unlike her family members, survived the Holocaust, although its lingering, PTSD-like effects continue, understandably, to haunt her. The older Esther is Willeke van Ammelrooy, who had the title role in "Antonia's Line." Esther retains a strong individualistic streak and along with the jealous Marjorie, shares a "deep dark secret."

While movies and TV heavily favor certain professions - crime fighters, doctors, journalists, attorneys - Frank's career path is fairly unusual in this medium, another indication as to how singular the film is.

"Bride's" location shooting in New Zealand enhances the overall production, which is handsome to behold and drink in. Frank's partner is a Maori named Mozie, jovially played by Olly Coddington as a young man, and in his later years by the distinguished Maori actor Rawiri Raratene (from "Whale Rider," "Rapa Nui," the Xena TV series, and "What Becomes of the Broken Hearted"). Maori actress Glynis Paraha, who was in Jane Campion's powerful 1993 film "The Piano", plays the older Mozie's wife.

Like most movies set or shot in the South Seas, the indigenous Islanders and their Islands serve mainly as backdrop for the really important doings of the Caucasoid stars. However, in "Bride Flight" it's not even New Zealand's dominant majority white people or "Pakehas" of English origin who are featured; it's a Dutch minority. It would have been nice if Marieke van der Pol had taken the pains to integrate the Native characters into her script; it's not like NZ/Aotearoa lacks an abundance of indigenous talent. In any case, the movie inevitably recalls 1994's lovely Hawaii-made "Picture Bride," about Japanese mail order wives.

Nevertheless, this 130-minute, partially subtitled film is an excellent, well-crafted feature. It's a realistic slice of life, albeit in an unusual milieu, and shows us, as John Lennon once sang, "life is what happens to you when you're busy making other plans."

Director Sombogaart's "Twin Sisters" was nominated for Best Foreign Language Film Oscar in 2004, and gazing into my crystal ball, I predict the same for "Bride Flight," which has also earned some richly deserved prizes on the film-fest circuit. Like fine wines, "Bride Flight" shows that films taste better when aged.

Photo: Bride Flight website.


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  • I really enjoyed watching this movie. Personally, I thought the storyline was great. It was sentimental and romantic, the genre I enjoy watching. The actors did a great job - very convincing performance. Initially, I wasn't sure if I'd enjoy the movie because of the language (I don't quite enjoy reading subtitles) but the blending of English towards the middle and end made it easier to follow and was more satisfying. I think all in all it is a great movie to watch and I would recommend it to those who enjoy watching a great/lovely romance movie.

    Posted by Jaya, 02/05/2012 2:12pm (3 years ago)

  • Did we see the same movie? I saw it day before yesterday..

    Visually compelling, this is a tragic story of three women who went to a new world where they found tragedy and unhappiness. It reminded me of a soap opera except that all of the female characters were presented as victims in one way or another.

    Given the time frame, the character of Mozie, the Maori who worked with Frank was more likely his employee rather than his partner in the buisness

    Was glad to have seen the movie which got an effusive review in the Los Angeles TIMES and which explored life in an unusual, distinctive milieu, not all that different in certain ways than the Boers of South Africa.

    The Village Voice review more faithfully captures the emotions and the politics of this depressing epic:


    Posted by Walter Lippmann, 06/15/2011 3:20pm (4 years ago)

  • Definitely want to see this one! Thanks to PW for reviewing it!

    Posted by Eric, 06/13/2011 5:51pm (4 years ago)

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