‘Stratford-upon-Topanga’ opens summer season with ‘The Merry Wives of Windsor’
From left, Emily Bridges, Jeff Wiesen, Willow Geer / by Ian Flanders

TOPANGA (LOS ANGELES) — Sir John Falstaff is everybody’s favorite comedic Shakespeare character. The ribald, oversized skirt-chaser appears in three of the Bard of Stratford-upon-Avon’s plays, including Henry IV, Part 1 and Part 2. According to the director’s program notes, Queen Elizabeth enjoyed this roguish character so much that Her Majesty commanded the playwright to write another comedy featuring Falstaff. That third Falstaffian play is now the summer season opener of Will Geer’s Theatricum Botanicum at Topanga Canyon.

However, this version is the Bard with literally a “twist.” WGTB Artistic Director Ellen Geer has transported the Elizabethan-era Windsor, England, play to Windsor, Connecticut, during the 1950s (yes, there is such a town). A score of appropriate period music has been interjected into the madcap merriment of this modern dress revival, with songs from musicals such as My Fair Lady, South Pacific, and Bye Bye Birdie, plus rock ’n’ roll hits such as “Rock Around the Clock.”

The main thrust of the bawdy comedy is that Falstaff (played by the well-padded Jeff Wiesen, a 17-season veteran of WGTB) lustily pursues two married women, Mrs. Ford (Emily Bridges) and Mrs. Page (Willow Geer). In addition to libidinal desire, the sly Falstaff is also conniving to get at the purses of their well-to-do hubbies, Ford (Jonathan Blandino, who has a droll double role) and Page (Bill Haller). Mrs. Ford and Mrs. Page conspire to turn the tables on the Rabelaisian, glutinous Falstaff, who, despite his girth and lack of wealth, fancies himself to be quite the irresistible ladies’ man.

Earnestine Phillips and Jonathan Blandino / by Ian Flanders

(Both Emily Bridges and Willow Geer were born into show biz royalty: Emily’s grandfather, Lloyd, starred in the TV series Sea Hunt and movies like High Noon; her father Beau, who attended Merry’s June 11 premiere, co-starred with his brother, Jeff “The Dude” Bridges, in 1989’s The Fabulous Baker Boys. Willow’s grandfather was WGTB’s namesake, Will Geer, of Salt of the Earth and The Waltons fame. Her son, Julius Geer-Polin, is the newest member of the Geer dynasty to tread the boards, and alternates in the role of the lad William Page in Merry.)

Merry has a subplot wherein the youthful, single Anne Page (Alexandra Kunin) is also being pursued by a trio of suitors. Slender (Ethan Haslam) seems more enamored by the dowry he imagines marrying Anne will fetch him than by the girl herself. Dr. Caius, portrayed with a faux French accent by Cavin Mohrhardt, is also hot on Anne’s trail. But it is Fenton (Charles Lin) who woos Anne because he has true love for her. Which beau will win Anne’s hand in marriage?

Falstaff is a memorable character because he is the embodiment of pure id, of the Freudian pleasure principle incarnate, mentioned in Sigmund Freud’s Jokes and their Relationship to the Unconscious. I can’t be sure, but Falstaff may mark the start of the overweight character being a frolicking figure of fun, that has been perpetuated by comics such as Fatty Arbuckle, John Belushi, John Candy, etc. (In LA Opera’s 2014 production of Giuseppe Verdi’s Falstaff, it took baritone Roberto Frontali 55 minutes to get into his makeup and fat suit.

Nevertheless, Shakespeare did give Falstaff one truly tragic moment in Henry IV, Part 2, Act V, Scene 5, which is also in 1966’s Chimes at Midnight, wherein the rotund Orson Welles depicted Falstaff with panache. The portly knight has cavorted, wenched, reveled, imbibed, etc., with his younger pal, Prince Hal, for years.

But when Hal’s royal father dies and he must ascend to the throne, the prince turns his back on Falstaff when the fat, down-on-his-luck womanizer approaches the newly minted monarch at his coronation. He denies his old friend, and the carefree lifestyle the happy-go-lucky Falstaff represents, as he prepares to wear the crown and accept the duties and statesmanship now expected of him as king, and icily states: “I know thee not, old man: fall to thy prayers.” This takes the wind out of Falstaff’s sails, just as the tricks that Windsor’s merry wives play on him also do, albeit in a more lighthearted way. There is a feminist message here, especially when Anne Page proclaims the especially appropriate dialogue: “Why can’t I make my own choice?” In any case, it’s interesting to ponder the role of that politically incorrect roué Falstaff in today’s #MeToo world.

Melora Marshall and Seth Weaver / Ian Flanders

Other standouts in this Merry band of actors include those WGTB stalwarts Melora Marshall, as the whimsically named Quickly, and Earnestine Phillips as Hostess of the Garter, a saloon located stage right, where Falstaff loves to imbibe and cavort. Phillips belts out a humorous version of Jerry Leiber and Mike Stoller’s 1959 rock classic “Love Potion Number 9” as the paunchy Falstaff tries to bed the already married women he is trying to romance. (None of the songs of the two-act staging are originals written expressly for this show.)

Director Ellen Geer’s iteration of Merry reminded this transplanted Manhattanite of the New York Shakespeare Festival’s storied 1971 production of Two Gentlemen of Verona, which impresario Joe Papp and Hair’s composer Galt MacDermot transformed into a rock musical transported from Italy to NYC and rocketed Raul Julia to stardom.

Act I of WGTB’s The Merry Wives of Windsor is mildly amusing, while the rollicking, uproarious Act II is highly entertaining. My yearly vagabondage to the start of the season at Will Geer’s Theatricum Botanicum—that glorious arboretum/amphitheater and heavenly haven of all things Shakespearean, rustically ensconced in, shall we say, “Stratford-upon-Topanga”—is an event I always joyfully anticipate. Happily experiencing this first offering of WGTB’s repertory program, outdoors under the stars and beneath the moon, is a great way to begin the summer. Let the merriment begin!

The Merry Wives of Windsor runs through Oct. 2 in repertory with A Midsummer Night’s Dream, The West Side Waltz and Trouble the Water at Will Geer’s Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga 90290 (midway between Pacific Coast Highway and the Ventura Freeway). For info, call (310) 455-3723 or visit www.theatricum.com. It can get chilly at night in the open air, so dress warmly. Pandemic protocols are observed, so bring proof of vaccination—and an anticipation to be delighted.


Ed Rampell
Ed Rampell

Ed Rampell is an LA-based film historian and critic, author of "Progressive Hollywood: A People’s Film History of the United States," and co-author of "The Hawaii Movie and Television Book." He has written for Variety, Television Quarterly, Cineaste, New Times L.A., and other publications. Rampell lived in Tahiti, Samoa, Hawaii, and Micronesia, reporting on the nuclear-free and independent Pacific and Hawaiian Sovereignty movements.